Right now, I am sitting on a bench, looking out at the college park here at Trinity College in Dublin. If I had not consulted my map, I would have called it the cricket pitch, because it is right next to the rugby pitch, and most days there are cricket games in process here. Just now, one has wrapped up, and the players are changing into drier clothes and making their way to the pub that is the top floor of the next-door pavilion--they call the pub "the Pav"--and where there is an array of outdoor tables for taking your pint.
It turns out Joyce was right, and the cricket bats really do say, "pock, pock." I am always struck by those moments, where I find that something I am seeing or experiencing for the first time really does look or sound just like it does in some work of art. (I felt this way when I first got to Hong Kong, and I found that the mountains there do look like the Chinese ink paintings--and so different from the mountains I had seen in North America.)
Earlier this morning, I had my head immersed in typescripts, trying to figure out at what stage various textual changes were made. It is like detective work, in a way, with some of the glamor and all of the drudgery. But also the moments of "AHA!" which I live for.
But not right now. Right now I am enjoying the sun on my face. And I am enjoying enjoying the sun on my face, because in South Carolina in July, there would be few things I would enjoy less. But here? The last days have been cloudy and rainy, but today there is suddenly blue, up there, in the sky. The wind is blowing, the air is cool, and despite wearing a couple of layers, I am happy for the warmth from the sky. Out in the park there is a young couple running barefoot in the grass, laughing hysterically at something, and also a woman in a bright white skirt walking with her toddler, and a little ways away, people lying on the grass, perhaps feeling the same way I do about the sun.
So what could be better?
Now that I think of it? If I were over at the Pav, with a pint in my hand. So on that note, . . . .